Impressionism获奖科研报告

上传人:一**** 文档编号:239600443 上传时间:2024-02-06 格式:DOCX 页数:4 大小:12.75KB
收藏 版权申诉 举报 下载
Impressionism获奖科研报告_第1页
第1页 / 共4页
Impressionism获奖科研报告_第2页
第2页 / 共4页
Impressionism获奖科研报告_第3页
第3页 / 共4页
资源描述:

《Impressionism获奖科研报告》由会员分享,可在线阅读,更多相关《Impressionism获奖科研报告(4页珍藏版)》请在装配图网上搜索。

1、Impressionism获奖科研报告 Abstract:Immersion means to let the public forget the real world and focus only on the scene in front of them.Immersive theory originally originated from language teaching practices,such as immersive foreign language training.Today,immersive expression and application have b

2、een extended to many fields such as contemporary art,film,commerce,and games.It is science and technology that realizes the immersive space and promotes its development.This article focuses on the design of Impressionists in immersive spaces,and how the light and color of Impressionists are presente

3、d to the public with the help of immersive spaces. Key words:Immersive;Impressionism;Technology 1.The emergence of immersive spaces "Immersion" means to make people feel as if they are in that place,both physically and mentally.So that I forget the things around me.So we can furthe

4、r know that "immersive experience" actually refers to being in a specific space,With the help of sound,light,electricity and other elements,Using human sensory and cognitive experience,So that participants have a feeling of being in the virtual world,Thereby providing participants with a fully immer

5、sive experience.The biggest feature of immersive space is the sense of technology,sensory,and fun.It is also an important reason why it is more attractive to the public than ordinary spaces.It is also an important reason why it is more attractive to the public than ordinary spaces. 2.How to re

6、alize Impressionism in an immersive space 2.1Treatment of light in immersive space The "Museum of Light" in Paris,Its predecessor was a cast iron workshop built in the 19th century.And now,Artists have built it into an interactive and immersive space.In this pavilion,From top to bottom,I

7、t is about 3000 square meters from left to right,The whole is transformed into a 360-degree magnificent sound image canvas with no dead ends.So how does such a large-scale venue that is not presented through paper paintings show us the feelings that the light and shadow are intact or even exceed the

8、 paper paintings in the frame? 2.1.2 Adjustment of the brightness of the lights in the hall and the arrangement of the projection screen Although this kind of projection equipment projects the master's paintings,the lights in the venue must be matched with the entire painting to achieve

9、unity.In order to maintain and highlight the light and shadow of the product itself,there are not too many lights on the ceiling in the museum,but some small spotlights with very low brightness are used at the top of the projection screen to fill in the light. The darkness of the ceiling is just con

10、trasted. The light perception of the painting itself.To change from two-dimensional to three-dimensional in an immersive space,a common method is to break the notion that only the wall is the carrier and turn both the ceiling and the ground into a carrier.As the ground is below people's sight,its br

11、ightness cannot exceed the vertical wall as the carrier. If the brightness of the ground is higher than that of the wall,people will feel very dazzling due to reflections. 2.2Color processing in immersive space 2.2.1Recomposition and secondary processing The work "The Starry Night"

12、 does not appear on the screen in a single cycle,but rather blurs the entire painting,which seems flat,but it is not.The projection technology extended the paintings in the frame,but the stars and moons,which should have only existed in the sky,appeared under their feet.It puts the visual center of

13、the painting,that is,the focus of the entire picture on the vertical wall as the carrier projection screen;the background color,that is,the secondary part of the entire picture,is placed on the ground as the carrier projection screen .This not only ensures that people's visual center is not changed,

14、but is still near the horizontal line,but also the color of the entire picture is covered on all the projection screens as the carrier.This kind of processing will not disturb people's perception,and will not make people's eyes feel tired visually.Not only makes the whole painting have the main and

15、subordinates,but also makes the colors distinct.The visual center of the entire work is the location of the building.This part has not been "circulated" in its own paintings,and it appears as a single individual.The sky part of the work appears as a "cycle". 3.The meaning of immersive space

16、 The emergence of immersive experience has made great achievements in many industries.It brings people a new feeling,which also confirms the progress of science and technology.This method of using projection technology to present the work itself not only greatly reduces the amount of information

17、management such as the original paintings,cultural relics,etc.,but also saves space.All the works can be realized through projection technology,so there is no need to replace and move the animation frame itself.The simple display of text and paintings in a traditional art gallery would seem very dul

18、l and boring.This new immersive experience will attract the attention of more young people,and it is a trend of the times. reference [1]Li Jiayi. From exhibition to exhibition—Research on the exhibition space of the Museum of Contemporary Art in China [D]. Shanghai University,2017.

19、 [2]Li Jing. The encounter between physical properties and spiritual thinking—expansion and artistic presentation of comprehensive painting materials [D]. Northeast Normal University,2014. [3]Wang Guode. Capturing the Beauty in Nature——A Brief Talk on the Oil Painting Language of Impressionism

20、 [J]. Grand View of Fine Arts,2007(05):26-27. [4]Tao Tingting. Research on seamless splicing technology of multi-projection immersive teaching system [D]. Yunnan Normal University,2014. [5]Liang Wenshan. On the creation of the theme music of John Williams film[D]. South China University

21、of Technology,2012. [6]Zhu Zhu. Intervention and integration [D]. Nanjing University of the Arts,2014. 作者簡介: Xu Shuang(1995.3—),female,Han nationality,native place:Jiamusi,Heilongjiang,Qilu University of Technology College of Art and Design,19 graduate student,master degree,major:art design,research direction:environmental design。

展开阅读全文
温馨提示:
1: 本站所有资源如无特殊说明,都需要本地电脑安装OFFICE2007和PDF阅读器。图纸软件为CAD,CAXA,PROE,UG,SolidWorks等.压缩文件请下载最新的WinRAR软件解压。
2: 本站的文档不包含任何第三方提供的附件图纸等,如果需要附件,请联系上传者。文件的所有权益归上传用户所有。
3.本站RAR压缩包中若带图纸,网页内容里面会有图纸预览,若没有图纸预览就没有图纸。
4. 未经权益所有人同意不得将文件中的内容挪作商业或盈利用途。
5. 装配图网仅提供信息存储空间,仅对用户上传内容的表现方式做保护处理,对用户上传分享的文档内容本身不做任何修改或编辑,并不能对任何下载内容负责。
6. 下载文件中如有侵权或不适当内容,请与我们联系,我们立即纠正。
7. 本站不保证下载资源的准确性、安全性和完整性, 同时也不承担用户因使用这些下载资源对自己和他人造成任何形式的伤害或损失。

相关资源

更多
正为您匹配相似的精品文档
关于我们 - 网站声明 - 网站地图 - 资源地图 - 友情链接 - 网站客服 - 联系我们

copyright@ 2023-2025  sobing.com 装配图网版权所有   联系电话:18123376007

备案号:ICP2024067431-1 川公网安备51140202000466号


本站为文档C2C交易模式,即用户上传的文档直接被用户下载,本站只是中间服务平台,本站所有文档下载所得的收益归上传人(含作者)所有。装配图网仅提供信息存储空间,仅对用户上传内容的表现方式做保护处理,对上载内容本身不做任何修改或编辑。若文档所含内容侵犯了您的版权或隐私,请立即通知装配图网,我们立即给予删除!